Dance Critiques Essay

Tags: Roman Architecture EssaysResearch Paper On Smoking5 Paragraph Essay On AidsBatting Cage Business PlanTone Essay Marrying AbsurdHow To Write A Thesis Statement For A Essay

Dance Critiques Essay Geography Dissertation Titles

This film’s role in the artistic conception of the work provides a notable counterpoint to its otherwise transcendentalized heterosexual narrative.The movement style of this piece does not activate any one particular technique, but instead blends social dance citation, quotidian gesture, and rhythmic movement through space.A central device in the piece, performers manipulate white fabric sheets that are continually re-arranged on lines diagonally strung across the stage, functioning as transformative objects as well as projection surfaces for the archival images featured throughout the work.y (1977) in which Sofia Loren removes white sheets from a laundry line (Luz 2010).In delicate and subtle ways, these works explore how gesture might enact an ethics of mourning for bodies “disappeared” by military violence.They also stage possibilities for connection and intimacy between bodies in pasts (and presents and futures) otherwise foreclosed by normative corporealities.He begins to recite (Communication Number 1), the first message to the public following the coup that began the last military dictatorship in 1976.Synonymous with the estimated 30,000 forcibly disappeared, tortured, and murdered citizens during this time, the military government coupled economic liberalization with a brutal campaign against the civilian population on the Cold War pretext of fighting “subversion.” As he recites, “Effective immediately, the country is declared under the operational control of the General Commanders of the Armed Forces,” Argento’s body twitches as if experiencing a mechanical malfunction.As police sirens ring, “iconic” images of the 60s and 70s—including Woodstock—show masses of young bodies gathered together in the name of hope.The couple performs an updated love story as new projections appear featuring Argentine student and union manifestations of these decades. Wigutow wraps her legs around Argento’s neck as he stands with her inverted face toward the audience.A thrice-repeated heterosexual love story structures as it moves through three defined historical moments—World War II, Argentina’s last military dictatorship, and the contemporary global preoccupation with contagion—to invoke an embodied genealogy of violence and social exclusion.Conceived and directed by well-established independent choreographer Vivian Luz and performed by dancer-actors Laura Wigutow and Carlo Argento, it weaves choreography with an original script by Laura Ferrari and a musical score composed of recorded songs and original sound arrangement by Cristóbal Barcesat.


Comments Dance Critiques Essay

The Latest from ©