Pyramus and Thisbe face parental disapproval in the subplot just like the couple Lysander and Hermia do in the main plot.
Despite its dramatic premise, the craftsmen play the love story of Pyramus and Thisbe in such a comical way that parodies the melodramatic Athenian lovers and gives the play a very joyful and comical ending.
Similar to the first play-within-a-play, the second serves an important role to signify the larger play.
In , Clifford Davidson discusses the play-within-a-play structure and its purpose.
He indicates that the play-within-a-play raises questions of imagination and stage reality (Davidson 87).
Also, the author argues that Shakespeare uses this structure to parody the older dramatic styles of the public theaters fashionable when they tended to use the bombastic language and clumsily use the mythological subjects in their performance (Davidson 88).
The role played by the darkness of night creates another similarity as it causes the romantic confusion in both plays.
Pyramus, in the dark of the night, mistakenly believes that Thisbe has been killed by the lion when he sees her bloody mantle; he, thus, commits suicide because of this misinterpretation.
The issue of whom is worthy to putting on a play is also one of the concerns in the play Another aspect of this issue comprising who is responsible for bringing a play to the audiences or what thoughts and actions are proper in order to bring a play to stage should be also concerned.
The conversations among the craftsmen-actors in which they argue whether they can bring an actual wall to stage and conclude that it is impossible to carry out demonstrate this point.