The Sound Of Music Critical Essay

The Sound Of Music Critical Essay-67
Notwithstanding the eventual conflicts outside the captain’s demeanor (and the expected love triangle with the baroness and Von Trapp), dipping into the historical severity of the Anschluss, Nazis, and World War II, the film is supremely upbeat, happy, and hopeful.

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Clothed in uniforms, responding to whistle signals, and marching about like miniature soldiers, the seven kids have developed covert methods of coping with such draconian discipline.“The Sound of Music” is blessed with some of the most memorable, joyously entertaining songs of any musical – an unusual feat for the plethora of works coming from the ‘50s and ‘60s, many of which contained not a single piece as momentous as the feeblest tune in this epic romantic masterpiece (and this includes other Rodgers and Hammerstein productions of the era).From “My Favorite Things” to the title theme, there is nary a forgettable composition in the entire presentation.At the abbey where Maria lives as a postulant, the reverend mother tires of the young woman’s troublesomeness, misbehaviors, and absconding from the abbey for midday musings in the neighboring valley.She sends her away to work as a governess at the nearby estate of naval Captain Von Trapp (Christopher Plummer), where he desperately needs help tending to seven children, whose mother passed away – and who have gone through twelve governesses already.Therefore, the story is essentially true, but the film took fictional license with much of the truth of the story.In reality, the family lost all their money during the 1930s because of the Depression, and they began putting on musical shows around Europe as a way to earn money.Despite Von Trapp’s insistence on a rigorous behavioral regimen and subordination, Maria is determined to teach the children to be children, through the joys of singing, dancing, playing, and merriment – all the ingredients of blithe adolescence they so sorely lack.When the captain returns from Vienna with romantic interest Baroness Schroeder (Eleanor Parker), he’s furious at his children’s rambunctiousness – until they sing for the noblewoman, bringing a cheer to the house that had been absent since the death of his wife.You can find much more information about your privacy choices in our privacy policy. Even if you choose not to have your activity tracked by third parties for advertising services, you will still see non-personalized ads on our site.The purpose of this paper is to introduce, discuss, and analyze the film The Sound of Music.


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